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Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers., “Moses, ef you hev finished yer supper, change yer good clothes an’ go git the cows,” directed his mother. “Betty run an’ fasten up the hens, else the coyotes’ll git them.”, “Last night I heard something on the Q. T. I didn’t mean to, but I’m glad I did. I was in the pantry chuckin’ some bread an’ butter under my solar plexus when I heard Mr. Wright tell sister in the sitting-room—I guess some door was open a crack—that his law business was growing a little. I didn’t hear the next words, but there was ‘please’ in italics in his voice. But sister said, an’ I heard her plain enough, ‘No, Hal, not till I’ve saved enough to take Billy through school.’ ‘I’ll help—’ Mr. Wright got as far as that when this guy waked up,—knew he’d snuck information not intended for him. So I made a noise; I scatted the cat—no cat there—slammed the door, and kicked up a racket generally so’s they’d know I was there.”.